Hip hop has grown from a cultural revolution to the dominant global music genre in just forty years. American Hip-Hop VS. Japanese Hip-Hop Brianna Stanley Alexis Lopez Ernesto Vilda Karlene Gabriele October 11, 2012 ENC1101 Pictures and Videos What is American and Japanese Hip-Hop? Although it's been a healthy spread of years since I dove into the contents of this hip hop literature it's service and influence were grand. Not to mention incorrect anecdotes and even the wrong spelling of an artist's name. while the current state of hiphop can be characterized in disarray, hiphop's founding fathers in the late 70s knew how to hold it down. As Nelson George puts it "Hip Hop is a spawn of many things, but most profoundly,it is a product of a schizophrenic, post-civil rights movem, Hip Hop America was an amazing book, it had insight from the past and how it affects us today and in the future. More importantly, the way African Americans (specifically speaking about those of us descendants of African slaves in the USA) have … Adding referenced tracks to a playlist as I read made this history go by slowly, but damn my playlist is rad. if you are into hip hop, a great book, even though a little dated at this point... but that can be kind of fun in a way. American Hip-hop is a music genre consisting of a stylized rhythmic music that commonly Touching on everything from the business, fashion, and global impact to the music itself, George offers a first-person account of how hip hop has become the de facto pop culture. While I think the author chose to tackle too many topics - making the book feel like it skips around a bit - I enjoyed the information I learned nonetheless. Hip Hop Beats, Indigenous Rhymes: Modernity and Hip Hop in Indigenous North America (SUNY series, Native Traces) Paperback – April 1, 2018 by Kyle T. Mays (Author) 5.0 out of 5 stars 2 ratings He addresses how hip hop represents race, ethnicity, class, gender, and generation. The book circles around african american history, and then what later became Hip Hop. He’s been charting their evolution ever since. It's interesting to read all this in one relatively short book - nothing is in depth, but it's all solidly discussed. . One reason could be the freeing artistic nature hip-hop music has on its cultural members. George continually focuses on hip hop’s many contradictions. I originally read this book for a class and it has become one of my favorite non-fiction books. BUT I was the one who bought and spun Kool More Dee's "How You Like Me Now", which the book rightfully connects to the trends of New Jack Swing. Hot 97 Summer Jam . From Nelson George, supervising producer and writer of the hit Netflix series, “The Get Down, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media. Do wish I would've realized this was published in 1998, but in some ways it makes the author's perspective even more interesting. This book looks not only at the music but also the art, fashion, and language that evolved with this genre. Artists deconstruct their composition, revisit the impact the song had on … Many take the idea of hip hop to be just African Americans and rap music. George compares Master P, an ex street hustler, now multi-millionaire to jerker T. Washington (creator of the Tuskegee Institute). In chapter 16 George speaks on how many slang words and phrases have been used in hip hop that and have evolved as the time goes on, some have lost meaning and some have new meanings, they change with style and mark past moments. A solid book from a writer who was there from the beginning - George first wrote about hip-hop when covering a Kool Herk park concert in 1982. like the Puff Daddy phase, the Teddy Riley phase, and where the term New Jack Swing came from. Hence, the dominance of Jay-Z, Kanye West, Kendrick Lamar and company is not covered and nor is Beyoncé - although that begs the question as to where Hip Hop stops and modern R & B starts. Dropping amid ongoing political and cultural tumult and turmoil, Childish Gambino’s “This is America” appears to be a commentary on black life in America and American culture as a All the strife and competition is put in context with the greater African American culture revolution in America. National Book Critics Circle Award Nominee for Criticism (1998), National Book Critics Circle Award Criticism Winners and Finalists 1980-99, New African American Histories and Biographies to Read Now. As many blacks are poor a lot of the hip hop lyrics began and still does focus money. Overall four stars. It's interesting to r. Yeah, I'm almost 20 years late, but most of the hip hop I've truly loved came out before the 1998 release date of this overview of the genre. Grandiose and anthemic, yet brooding all the same, "White America" finds Eminem delivering a state of the union, analyzing his relationship with the people at large. I only give this book 3 stars simply because it didn't quite do it for me (though I am most willing to admit George's significant contributions to the genre), nevertheless, it filled in some important gaps in my knowledge about certain periods in the game that I really did not pay attention to . All the strife and competition is put in context with the greater African American culture revolution in America. A solid overview, but it dates itself pretty quickly. It’s an examination of hip-hop as an ongoing sociological phenomenon. If you have any interest in hip hop, or culture in america this book is a must read. When the culture left urban street corners and grew into the biggest pop movement of the late 20th century, it impacted everything, from the way shoes and malt liquor are marketed to the drug trade, basketball and, of course, racial politics. Talked a lot about the influences of rap on popular culture. Let us know what’s wrong with this preview of, Published A great short introduction to the topic by way of the author's effortlessly charming and informative prose. Ay lollipops to be Just African Americans and rap music. If You’re Reading This It’s Too Late by Drake. George does devote a few pages to the so-called New Jack Swing that begat the latter so the dividing line is paper thin. Hence, the dominance of Jay-Z, Kanye West, Kendrick Lamar and company is not covered and nor is Beyoncé - although that begs the question as to where Hip Hop stops and modern R & B starts. A great introduction to the history of hip hop and how it has permeated mainstream American culture. He doesn't mention a whole lot of others' opinions/analysis beside his own, and so much of what he mentions is based in memories and traveling in certain social circles. Festival Lineup (2019): Cardi B, Meek Mill, Migos, Megan Thee Stallion, Tory Lanez, Rich The Kid, A Boogie Wit Da Hoodie. Some believe the Recording Academy is finally catching up to public opinion. Yikes, it was sort of a tough read. Being that this Is the last chapter It ends by asking whether or not hip hop now will be looked upon by the next generation like this generation looks at hip hop before us and will hip hop be Influenced by America like it has been. It’s a fair, balanced and fascinating perspective from someone who knows his shizzle. Serious hip hop person might find it more enjoyable. (Full disclosure: it was assigned reading, so I didn't read it on my own volition, which has an effect but not overwhelmingly so. Nelson George, one of America’s leading writers on what he calls “post-soul,” examines the national scene in Hip Hop America. expands this view of hip-hop far beyond artists and discs; he looks also at such related phenomena as graffiti, cinema, and commercial culture. Are You on a Short Deadline? George follows the evolution of hip hop in america from the street corners of brooklyn and the bronx, through the founding of death row records. Hip-hop suffered at least as severely as or worse than other genres, with sales tumbling throughout the decade. fuck instruments! How about receiving a customized one? An easy brief read on an interesting topic. The book circles around african american history, and then what later became Hip Hop. This book helped me frame HipHop, for the first time, as a cultural and political force in the US. ), A great look at the historically significant hip hop movement that simultaneously shaped the youth culture. Over the last quarter-century hip-hop has grown from an esoteric form of African-American expression to become the dominant form of American popular culture. The book came out just a couple years before the record industry tanked, thus making parts of it seem a relic of the dim and distant past. Morgan also claims that most of the music in the hip­hop industry influences people. Hot 97's Summer Jam is a time-honored tradition in the hip hop and R&B scenes. Summaries. Based on data reported by Christopher John Farley in his " Hip-Hop Nation " essay for Time Magazine, hip-hop sold 81 million units that year, nine million more than country music. fuck instruments! He doesn't mention a whole lot of others' opinions/analysis beside his own, and so much of what he mentions is based in memories and traveling in certain social circles. Urban music had a message that could be heard by people outside of the city, suddenly making a racial minority powerfully influential. i believe that hip hop is a brilliant, post-dada, inner-city collage of the available; meaning: these doods made a sound out of scratched records and vocal beatboxes. Good mix of the anecdotal and the scholarly. 9500 Liberty (2009) Summary: 9500 LIBERTY documents the first and likely only 8 weeks in U.S. history where an "Arizona style" immigration law was actually implemented. It’s an examination of hip-hop as an ongoing sociological phenomenon. Today, Snoop Dogg shills for Chrysler and white kids wear Fubu, the black-owned label whose name stands for "For Us, By Us." He argues that hip-hop blurred "cultural and demographic lines so permanently that it laid the foundation" for the transformation he calls "tanning," a process that would "alter the landscape of America—racially, socially, politically, and especially economically." George is one year older than I am, and being from New York, he was able to get in on the ground floor of this cultural excitement. Although widely considered a synonym for rap music, the term hip-hop refers to a complex culture comprising four elements: deejaying, or “turntabling”; rapping, also known as “MCing” or “rhyming”; graffiti painting, also known as “graf” or “writing”; and “B-boying,” which encompasses hip-hop dance, style, and attitude, along with the sort of virile body language that philosopher Cornel West described as … It's a bit disorganized, far lengthier/more long-winded than necessary, and not particularly well backed-up. Oh, and finally I have context for how rap went from inception to the year ~2000. While I think the author chose to tackle too many topics - making the book feel like it skips around a bit - I enjoyed the information I learned none. In one of the book’s most intriguing chapters, the author uses a dispute he once had with the Fat Boys’ Caucasian manager as a springboard to discussing the contrary notion that visionary white record executives did more to nurture rap in its infancy than the black music establishment, who were just as confused by it as suburban parents were when they started hearing it come from their kids’ bedrooms. Hip Hop America was an amazing book, it had insight from the past and how it affects us today and in the future. I always have a hard time trying to review non-fiction books and this could easily turn into my personal musings about hip hop and what it meant to be growing up in post communist Poland listening to hip hop. Because it gave to know about hip hop in America. . This was one of the first books written on the topic by an industry authority. I like Chris Rock. in color. Martin Luther King Jr. once said, “We are not makers of history. Adding referenced tracks to a playlist as I read made this history go by slowly, but damn my playlist is rad. More academic than enlightening. DJing and MCing symbolize a musical part, b-boying stands for a dance component, and graffiti represents a visual art constituent of this culture. At its most elemental level hip hop is a product of post—civil rights era America, a set of cultural forms originally nurtured by African American, Caribbean American, and Latin American youth in and around New York in the ‘70s. I imagine now much more has been written. It's a bit disorganized, far lengthier/more long-winded than necessary, and not particularly well backed-up. Summary The paper “Hip Hop America by Nelson George” analyzes the book by Nelson George, where there is an understanding of what hip hop stands for and means. The dismissiveness of female rappers, UK rap (especially trip hop, and completely missing Dre's expanded role in the music scene that was to come. Nelson George tells stories from the past and how it affected african american culture. . George chronicles, rather accurately it seems, the early days of hip hop, focusing primarily on New York City, notably Harlem and the Bronx. He addresses how hip hop represents race, ethnicity, class, gender, and generation. Hip-hop music originated in the late 60s of the 20th century and continues to evolve to the present day. Hip hop is recognized to have originated and evolved first in the Bronx, New York; East Coast hip hop only became a distinct subgenre after artists from other regions of … george has a real ease of style, super conversation & obviously very passionate about the subject. George is one year older than I am, and being from New York, he was able to get in on the ground floor of this cultural excitement. Very informative read for my first college writing class ... Nelson George is an author, filmmaker, television producer, and critic with a long career in analyzing and presenting the diverse elements of African-American culture. Many hip-hop artists have been nominated in several categories, including song of the year and album of the year. these visionaries too what they had: their sense of rhythm, their voice, their beat record collects, and formed a whole new genre that would change music. I didn't pay attention (at that time) because that music didn't really move me, being an old head, and coming up in the Sugar Hill/Eric B and Rakim era and then dropping the ball. I prefer Jeff Chang's Can't Stop Won't Stop, but this is a great adjunct. Wrong song title, wrong lyric and wrong release year and that's just for one paragraph. The book is not a consumer guide, nor is it exactly a history, but it will enlighten those trying to make sense of not just hip hop … The action stops in the late nineties so the likes of Missy Elliott and Eminem are mentioned only in a bolted-on concluding chapter (excellent) that also provides Mike Skinner with a name check. In conclusion , I thought this book was very Nell written so well that Im not even sure I understood exactly everything to the point due to the diction but overall It was understandable and I enjoyed It. This is delightful. George manages to cover the scope of hip-hop’s influence with scholarly intelligence, a conversational tone and refreshing objectivity. Do wish I would've realized this was published in 1998, but in some ways it makes the author's perspective even more interesting. 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