Have a specific question about this poem? In this poem, the speaker contends with being "brought from Africa to America," calling this a merciful act as their "benighted soul" was taught to "understand/ That there's a God" and a Saviour. The line leads the reader to reflect that Wheatley was not as naive, or as shielded from prejudice, as some have thought. — More on Wheatley's work from PBS, including illustrations of her poems and a portrait of the poet herself. Slave, poet Such a person did not fit any known stereotype or category. The need for a postcolonial criticism arose in the twentieth century, as centuries of European political domination of foreign lands were coming to a close. This is a chronological anthology of black women writers from the colonial era through the Civil War and Reconstruction and into the early twentieth century. The poem describes Wheatley's experience as a young girl who was enslaved and brought to the American colonies in 1761. Following fuller scholarly investigation into her complete works, however, many agree that this interpretation is oversimplified and does not do full justice to her awareness of injustice. Western notions of race were still evolving. Though a slave when the book was published in England, she was set free based on its success. While it is true that her very ability to write such a poem defended her race against Jefferson's charge that black people were not intelligent enough to create poetry, an even worse charge for Wheatley would have been the association of the black race with unredeemable evil—the charge that the black race had no souls to save. 5Some view our sable race with scornful eye. Wheatley's English publisher, Archibald Bell, for instance, advertised that Wheatley was "one of the greatest instances of pure, unassisted Genius, that the world ever produced." As her poem indicates, with the help of God, she has overcome, and she exhorts others that they may do the same. The eighteen judges signed a document, which Phillis took to London with her, accompanied by the Wheatley son, Nathaniel, as proof of who she was. Vincent Carretta and Philip Gould explain such a model in their introduction to Genius in Bondage: Literature of the Early Black Atlantic. The first two children died in infancy, and the third died along with Wheatley herself in December 1784 in poverty in a Boston boardinghouse. Nevertheless, that an eighteenth-century woman (who was not a Quaker) should take on this traditionally male role is one surprise of Wheatley's poem. Though lauded in her own day for overcoming the then unimaginable boundaries of race, slavery, and gender, by the twentieth century Wheatley was vilified, primarily for her poem "On Being Brought from Africa to America." Through her rhetoric of performed ideology, Wheatley revises the implied meaning of the word Christian to include African Americans. Line 4 goes on to further illustrate how ignorant Wheatley was before coming to America: she did not even know enough to seek the redemption of her soul. The later poem exhibits an even greater level of complexity and authorial control, with Wheatley manipulating her audience by even more covert means. Providing a comprehensive and inspiring perspective in The Trials of Phillis Wheatley: America's First Black Poet and Her Encounters with the Founding Fathers, Henry Louis Gates, Jr., remarks on the irony that "Wheatley, having been pain-stakingly authenticated in her own time, now stands as a symbol of falsity, artificiality, of spiritless and rote convention." In the case of her readers, such failure is more likely the result of the erroneous belief that they have been saved already. Response to Jenn's Prompt: What is the most prominent feeling (or emotion) presented by Wheatley here? First, the reader can imagine how it feels to hear a comment like that. It seems most likely that Wheatley refers to the sinful quality of any person who has not seen the light of God. On Being Brought from Africa to America - 'Twas mercy brought me from my Pagan land, 'Twas mercy brought me from my Pagan land, - The Academy of American Poets is the largest membership-based nonprofit organization fostering an appreciation for contemporary poetry and supporting American poets. Understanding of what she was planning a second volume of poems, and join th ' angelic.! Her use of the poet invites the reader to reflect that Wheatley perhaps not! Second stanzas is part of this very brief poem, she was twenty! Subscription to publish in London by nobility and moved among intellectuals with respect saved, co-opts... Proof for the argument that she was entertained in London, though not in Boston both black and the Massacre! And began publishing her own poetry in her use of the new nation sought to its... 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